PDF Download Art & Physics: Parallel Visions in Space, Time, and Light, by Leonard Shlain

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Art & Physics: Parallel Visions in Space, Time, and Light, by Leonard Shlain

PDF Download Art & Physics: Parallel Visions in Space, Time, and Light, by Leonard Shlain

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Review

"Bold and persuasive...solidly researched and gracefully presented...Never before has such material been explored deeply and lucidly enough for non-specialists."--"San Francisco Chronicle""Provacative...passionate...[Shlain] is an engaging storyteller, skilled in the use of metaphor, analogy, and even imaginary journeys that at times are poetic."--"The New York Times Book Review""In eighteen years as an art critic I have not encountered more provacative insightful writing about art."--"Seattle Times""Leonard Shlain's "Art & Physics "is exquisite food for thought."--Fritjof Capra, author of "The Tao of Physics""A tour de force...A brilliant, accessible, and visionary look at the most revolutionary artists and scientists from the Golden Age of Greece to the present."--"Los Angeles Times Book Review"

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About the Author

Leonard Shlain is Chairman of Laparoscopic Surgery at the California Pacific Medical Center in San Francisco and is Associate Professor of Surgery at the University of California, San Francisco. He is the author of The Alphabet Versus the Goddess: The Conflict Between Word and Image and Sex, Time, and Power: How Women's Sexuality Shaped Human Evolution. Dr. Shlain lectures internationally and has been featured on The Newshour with Jim Lehrer and NPR. He lives in Mill Valley, California.

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Product details

Paperback: 496 pages

Publisher: William Morrow Paperbacks (February 27, 2007)

Language: English

ISBN-10: 0061227978

ISBN-13: 978-0061227974

Product Dimensions:

6.1 x 1.2 x 9.1 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

75 customer reviews

Amazon Best Sellers Rank:

#48,475 in Books (See Top 100 in Books)

There are too many "educated" yet unenlightened trousered apes who insist on seeing math and science as disciplines in opposition to the arts and humanities. This ignorant attitude, unfortunately, has as much to do with the state of American public education as it does with the myopic bigots who promulgate the stifling division.Brain lateralization, or, the division of the right and left brain into proprietary functions of affect and logic, respectively, has been largely dismissed. Nevertheless, it takes two legs to walk: a right leg and a left leg. Right and left legs and arms do not function in adversarial opposition to each other; they function in co-operative coordination with each other for the synergistic benefit and advantage of the whole. The same can be said for seeing various human intellectual endeavors as vital components to a larger ecological whole. Ignoring traditionally characterized "right brain" or "left brain" endeavors is functionally tantamount to giving one's self a "right brain" or "left brain" lobotomy. A truly well-educated person is firing on all cylinders, as it were.Many scientists and mathematicians at the forefront of their fields, who are at the cutting edge of research, can go into rapture about the aesthetics of their work and the profound beauty of their discoveries. Likewise, many artists, in all media, are fascinated with the latest discoveries in science and developments in technology, seeing them as inspiration, and using them as instruments of artistic exploration, investigation, and expression.Shlain's central thesis is that the arts are prescient. In the realm of art and aesthetics, artists articulate intuitive insights, usually without realizing the power of their own intuition, which the sciences later, independently and empirically, discover, explore, and develop. It's all part and parcel of the structure of human consciousness, which might be thought of as a product of the zeitgeist of an era, or an aspect of the larger universal mind. Citing instance after instance throughout the ages, Shlain makes the case, with aplomb, that art and physics are united in that higher realm known as "the universal mind."This book is a cornerstone of my library, and it is highly recommended to all who value intellectual adventure and the insight that meta-analysis can provide. Consider purchasing this with Alan Lightman's wonderful little book, Einstein's Dreams.

I am not a scholar in these subjects, but I am an avid reader, thinker, and idea tinkerer. If you're someone who gets caught up on details and technicality, this book probably isn't for you. If you have your Master's in Art or Physics, you'll probably get too caught up in the technical details to appreciate this style of writing. Shlain is vague, and at times makes some assertions that are a little far-fetched, but I think the point of this book is to make you think of things in a different way, not necessarily to teach you to think certain things.You don't need to accept every part of this book, or any book for that matter. I think it's important to read things like this that challenge you to look at the world in a different way. I think Shlain does a good job of that if you are open to it.This book had a couple of main takeaways for me:- Physics are Art are two disciplines that explain the world in non-verbal terms. It's nearly impossible for people to understand Physics without Math, and it's nearly impossible for someone to say in words what a good artist can express in Art. Both disciplines explain the same Universe and Human Experience in different ways.- Art has the advantage of not being weighed down by the technical details of math & science. Art is intuitive. Therefore, artists typically are ahead of their time in expressing new cultural ideas. That doesn't mean they have a mystical power. Good artists are acute observers and their art speaks for itself.- Lots of fun and interesting stories in the book that make it very engaging. It does take a couple of chapters to get going.Currently reading Shlain's other book -- The Alphabet & The Goddess. He has a similar tendency here to have slightly weak arguments, but the point of these books isn't necessarily to convince you that his theories are absolutely correct, I think. The point is more to show people that these things are very real forces and factors to the whole picture. He admits in both books to not showing the whole picture or alternate theories due to the limitations of a single book. I highly recommend this book to the curious mind. Doesn't mean you need to accept every theory and idea put forth in this...or any book!

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Art & Physics: Parallel Visions in Space, Time, and Light, by Leonard Shlain PDF